I organized the artwork by metro line rather than by year. A passenger riding the orange line can see exactly what art lives throughout the line. I wanted the book to feel like a path, moving through the network in the same order a traveller would. The landscape format came from the artwork itself. Most pieces stretch horizontally across station walls. A tall book would have fought them.

The layout stays consistent throughout. A simple grid, generous negative space, and typography that never competes with the images. The history section includes a timeline of key dates, placed cleanly within the spread. One data visualization appears as a spread, tracking the materials used across the artworks. The cover features croppings of the artworks placed side by side, creating a continuous path from front to back cover, like walking through a gallery.